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On Air. On Time. On Budget.(Special contents)

Movie's Highlight

More than 50 US TV stations own ProHD

"…Today, more than fifty news stations own our ProHD equipment; including cameras, player/recorders and LCD displays. Broadcasters across the country are now using ProHD to deliver high-quality programming to their viewers.…"

More than 50 US TV stations own ProHD

GY-HD250 with inexpensive studio peripherals

"…In cities like Cleveland, Baton Rouge, Richmond Virginia and Fort Myers Florida, broadcasters have actually replaced their expensive studio cameras with the HD250. It can be configured with a full range of studio options that now include an HD studio viewfinder, a rack mount remote CCU and a remote shader. With these new options you can have a dedicated HD studio camera for about a third of what our competitors charge.…"

GY-HD250 with inexpensive studio peripherals

GY-HD250 HD/SD compatible

"…The HD 250 also fits the bill for stations that are transitioning to HD, because it does both standard def and high def. Waterman Broadcasting, which owns the NBC and ABC affiliates in Fort Myers, recently needed to replace their aging studio cameras before their transition to HD production was complete.…"

GY-HD250 HD/SD compatible

GY-HD250 studio & field recording versatility

"…The camera also provides plenty of options for studio use. You can use it on a pedestal, a tripod or a jib, or mount it on a robotic platform with a remote controllable CCU and lens. With the right housing, you can even use it outside, as part of a POV system. Speaking of outside, the HD250 is also great for shooting high definition in the field. It's not only light weight and compact, it also records to tape and a detachable hard drive - simultaneously - for easy archiving, instant backup or fire-wire transfer directly to your editing system.…"

GY-HD250 studio and field recording versatility

ProHD native file workflow

"…With a ProHD native file workflow, there's no transcoding, and no extra steps of compression or decompression. First generation HD broadcast quality is maintained throughout the production process from ingest to the studio switcher. Plus you can leverage your existing facility investment. If you're editing 25 megabit DV files today, you can use the same infrastructure to edit ProHD, just as they are doing at the ABC station in Detroit.…"

ProHD native file workflow

ProHD on Air, on Time, on Budget

"What's your timeline for switching to HD broadcast news? It might be sooner than you thought. ProHD puts you on-air, on-time, on-budget with high-quality HD news. "

ProHD on Air, on Time, on Budget
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